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maandag 21 februari 2011 22:10

17.2. Square: music and movement

MUSIC

Measure 3/8

Tonality: E minor
Total: 128 measures, 1 measure = 1 movemеnt

MOVEMENT

SP for the exercise: 
The partners face the centre of the circle, one behind the other.
Arms:The arms are folded in the elbows, forearms horizontal and parallel to the body, wrists stretched. The hands are in front of the chest, palms down, fingers together and stretched. The middle fingers of both hands always touch in this position.
Legs: Feet together in standing position
 
Sequence of movements:
1. In place cycle:
First peak of the square. The partners face the centre of the circle, one behind the other, those from the inside circle are in front. 
2. Forwards cycle:
First side of the square. The partners face the centre, one behind the other, those from the inside circle are in front. The movement is in a radius to the centre.
3. In place cycle:
Second peak. The partners have their right shoulder to the centre, and stay one next to the other.
4. Forwards cycle:
Second side. The partners have their right shoulder to the centre, and move one next to the other. The movement is in a line perpendicular to the one in 2.
5. In place cycle:
Third peak of the square. The partners have their backs to the centre, one behind the other, those from the outside circle are in front.
6. Forwards cycle:  
Third side of the square. The partners move with their backs to the centre, one behind the other, those from the outside circle are in front. The movement is in a line perpendicular to the one in 4
7. In place cycle cycle:
Fourth peak. The partners have their left shoulders to the centre, and stay one next to the other.
8. Forwards cycle:
Fourth side. The partners have their left shoulders to the centre, and move one next to the other. The movement is in a line perpendicular to the one in 6.
 
Movements 1-8 outline a square. They repeat from measure 65 to 128 of the music.

FP for the exercise: same as SP but palms forwards. After the exercise is over the arms go by the sides of the body. Correct performance would bring the partners back to their initial positions on the circle (from the beginning of the exercise)! 

 

IN PLACE cycle

 

Square, in place movements
 
SP = SP for the exercise.
Before the first performance palms are down. Before any next performance of the cycle palms in SP are forwards.
1:
Arms:Palms turn down with middle fingers touching (during first performance they are down since SP). Arms unfold in the elbows horizontally forwards and sideways and move to a horizontal position to the sides, stretched, palms down, fingers together.
Legs:The right foot moves sideways to the right with stretched knee, and touches the ground with tiptoes.
Duration:one measure
2:
Arms:Arms retrace their way to SP.
Legs:The right foot retraces its way to SP with stretched knee.
Duration:one measure
3:
Arms:Arms unfold in the elbows horizontally forwards and sideways and move to a horizontal position to the sides, stretched, palms down, fingers together.
Legs:The left foot moves sideways to the left with stretched knee, and touches the ground with tiptoes.
Duration:one measure
4:
Arms:Arms retrace their way to SP.
Legs:The left foot retraces its way to SP with stretched knee.
Duration:one measure
 
Movements 1-4 repeat.
FP = SP of the exercise, palms down.
 

FORWARDS CYCLE

Square, forwards movements

SP = SP for the exercise.

1:
Arms:Palms turn forwards with middle fingers touching (below the chin). Arms unfold in the elbows vertically up in front of the face and move to a horizontal position to the sides, stretched, palms forwards, fingers together.
Legs:Step with the right foot
Duration:one measure
2:
Arms:Arms retrace their way to the SP, but with palms forwards.
Legs:Step with the left foot
Duration:one measure
 
Movements 1 and 2 repeat 4 times, and for the legs 7 and 8 are different:
Square, turning 90
 
7:Perpendicular step forwards with right foot. Tiptoes point in a direction perpendicular to the direction of movement. 
The body begins a quarter turn to the left (90°).
 
8:Square, 90 turn -endThe left foot moves next to the right one (in the new direction).The body finishes with the quarter turn to the left (90°). 
 
SP = SP for the exercise but with palms forwards.
maandag 21 februari 2011 20:59

19.2. Agility: music and movement

MUSIC

Measure: 3/4
Tonality: B minor
Total: 90 measures
1 measure = 1 movement

MOVEMENT

SP:
The partners face the centre of the circle, one behind the other.
Arms: The left arm is stretched to the left side horizontally. The right arm is in front of the chest, folded in the elbow and close to the body, its forearm parallel to the left arm. Palms are down, fingers together, wrists stretched.
Legs: Feet together in standing position. The toes point towards the centre of the circle.
 
1:
Turning to the right to a position forwards in respect the movement in the circle.
Arms: Both arms outline descending semicircles down and to the right side while simultaneously the body turns to the right. The arms move parallel, stretched, with palms down, and reach horizontal position forwards.
Legs: The right foot moves to the right, toes in the direction of the movement in the circle. It steps down and the weight of the body gradually transfers to it. In the process of weight transfer the heel of the left foot takes off and the foot rotates on toes to the right (forward). Toes never lift from the ground.
Duration: 1 measure (3 beats)
 
2:
Movement forwards and beginning of turning to the right with one’s back to the centre.
Arms: In the first half of the movement the elbows fold, the hands move horizontally towards the chest and the middle fingers touch in front of it. In the second half of the movement the hands move down and to the sides in semicircles to a horizontal position to the sides, palms down. Simultaneously with extending the arms to the sides the body turns a little bit to the right.
Legs: In the first half of the movement the left foot moves to the front and steps. In the second half of the movement the weight of the body transfers to it while the right foot remains on toes to the back.
Duration: 1 measure (3 beats)
 
3:
Turning to the right continues.
Arms: Arms make undulating movement imitating the flight of a bird. The wrists are being the most active: go up above and down below their horizontal position.
Legs: The right foot makes a step forward perpendicular to the forward movement in the circle, its toes pointing opposite to the centre of the circle. The body continues its turning to the right (outside), with one’s back to the centre.
Duration: 1 measure (3 beats)
 
4:
Turning movement to the right comes to and end.
Arms: Arms make the same undulating movement imitating the flight of a bird.
Legs: The left foot makes a step to the sides of the right foot and parallel to it, toes pointing opposite to the centre of the circle. The weight of the body transfers to the left foot, the right is to the back. The toes of both feet point out. The turning to the right (outside) comes to an end; one is completely with one’s back to the centre. 
Duration:  1 measure (3 beats)
 
5:
Movement with one’s back to the centre of the circle.
Arms: The right arm extends in a position horizontal to the right side. The left arm moves down and to the right, and folds in front of the chest, forearm parallel to the right arm.
Legs: The weight of the body transfers to the right foot, while the front left foot remains on toes.
Duration: 1 measure (3 beats)
 
Movements 1-5 repeat symmetrically (left-right) with turnning movement to the left, towards the centre of the circle.
 
Note: Movement 6 and all consecutive movements 1: There is no step forwards. Only the toes of the forward positioned foot turn to face the direction forward in respect to the movement in the circle. 
 
FP = SP

 

 

VERSIONS
 
For Arms movement in 5 (and symmetrically: in 10 and SP)
The right arm folds horizontally in the elbow with palm down, in front of the chest. Simultaneously the left arm folds  downwards and to a position in front of the chest with palm up. The hands touch, palms one against the other, and slightly hold with the thumb of each on top of the other.
 
maandag 21 februari 2011 20:21

18.2. Beauty: music and movement

MUSIC

Measure: 3/4
Tonality: B minor
Total: 90 measures
1 measure = 1 movement

MOVEMENT

SP:
Arms: Arms are down by the sides of the body. 
Legs:  Feet are together in standing position.
 
18 Beauty, right
 
1: 
Arms:  The right arm moves upward and forward to 45˚, with hand upward and forward, palm down. Simultaneously the left arm moves down to the back to 45˚, with hand down to the back, palm upwards. Both arms are stretched in the elbows and in the wrists.
Legs: Step forward with the right foot. The weight of the body transfers to it with a slight swing, so that the left foot lifts up a little from the ground at the end of the movement.
Duration: 1 measure
 
2:
Arms: The arms keep their position: the right is 45˚ up, the left is 45˚ down to the back.
Legs: With a slight swing the weight of the body transfers to the left foot and it steps down some inches forward in respect to its initial position (making a tiny step, but still remaining to the back). Then the right foot lifts up a little from the ground.
Duration: 1 measure
 
3:
Arms: The arms start a movement of change of position. The left arm starts towards 45˚upward and forward, the right starts towards 45˚down to the back, stretched.
Legs: The right foot steps down some inches forward, in respect to its initial position.
Duration: 1 measure
 
Movements 1-3 repeat symmetrically (left-right) in movements 4-6:
18 Beauty, left
 
4:
Arms: The arms continue their movement and the left reaches upward and forward at 45˚, the right down to the back at 45˚.
Legs: Step with the left foot. The right foot lifts up a little.
Duration: 1 measure
 
5:
Arms: The arms keep their positions of 45˚.
Legs: The right foot steps some inches forward in respect to its initial position. The left foot lifts up a little. 
Duration:  1 measure
 
6:
Arms: The arms start a movement of change of position: the right up, the left down.
Legs: The left foot steps some inches forward in respect to its initial position.
Duration: 1 measure
 
Movements 1-6 make up a cycle which repeats 15 times
 
Final Position = return to SP.
 
 
VERSIONS:
 
For the palm of the back hand: the palm turns to "face" the body (the whole arm remains straight from the shoulder to the tips of the fingers).

 

maandag 21 februari 2011 20:16

19.1. Agility: text and idea

Agility, Stefka Nikolova (follow-up activities)Agility, Veronika Kaneva

TEXT

Start with song the new born day;
Song is light upon your way.
(Repeat from “Start”)
 
Like butterflies we spread our wings,
Raising each hand a new blessing brings.
 
Graceful our bodies thus will grow
Golden seeds of future beauty now we sow.
(Repeat from “Graceful”)
 
Lively as when brooklets flow,
Thus our minds and hearts will grow,
So we dance each day to be graceful, beautiful and free.
(Repeat from “Lively”) 
 
IDEA

 Agility relates to the ability to solve our task as set in exercise 17 “Square” using the “female” approach. We perform softness, tenderness, gentleness, mildness, tact, care, flexibility. We try to be diplomatic, agile, in the language of gesture we look from all perspectives, turn in all directions, arms and hands make undulating movements, fold and touch. Some examples of the soft and flexible approach:

  • water, magnetism  in nature;
  • using mild, kind words;
  • in relationships showing mildness, tactfulness;
  • approaching an issue by getting around before you reach to the point.
Exercises 17-21 are related thematically as a group. In 17.Square we have a problem situation, a task. With 18.Beauty and 19.Agility we work to solve it using the hard and the mild approach. In 20.Conquering we solve and overcome it.  With 21.The Joy of the Earth we perform the joy for the achieved.

“This exercise begins with fluid movements of the arms and legs, first facing the centre of the circle and then turning with your back to the centre. This exercise is a continuation to the previous one – soft, curved lines are at work. The feminine principle that processes the square is at work here. This is magnetism.” [Beinsa Douno, Paneurhythmy, p.80]

 

Agility, Lenka SzotkowskaAgility, Gabiela Jonczy

 

QUESTIONS

1. Text: What are the imahes of agility in the text? Write in your own beautiful words a sentence/ essay/ poem about softness, mildness, flexibility.

2. Drawing: Draw an illustration how you/an animal/a plant overcomes an obstacle on the way (a high wall, water etc.) by going around it. Draw and illustration of the exercise.

3. Questions: How would you describe the traditional “female” approach? What are the “female” and "male" qualities in everyone? What can water achieve with its softness and flexibility?

4. Experience: Tell us of situations and experiences when you have solved a situation by being mild and flexible. What is the feeling?

5. Imagination: Imagine while you play the exercise that you are like a butterfly that can fly over all obstacles on the way.

6. Affirmations: Write your own positive affirmation for Agility. For example: I can be mild and flexible.

7. Quotes: Nothing is softer or more flexible than water, yet nothing can resist it (Lao Tzu). Find your own favourite quote for Agility.

 

Agility, Petka (Petra Godulova)Подвижност, Мариета Стойчева

 

maandag 21 februari 2011 20:05

18.1. Beauty: text and idea

 

Beauty, Petka (Petra Godulova)

TEXT

Start with song the new born day;
Song is light upon your way.
(Repeat from “Start”)
 
Like butterflies we spread our wings,
Raising each hand a new blessing brings.
 
Graceful our bodies thus will grow
Golden seeds of future beauty now we sow.
(Repeat from “Graceful”)
 
Lively as when brooklets flow,
Thus our minds and hearts will grow,
So we dance each day to be graceful, beautiful and free.
(Repeat from “Lively”) 
 

IDEA

 

Exercise 18.Beauty relates to the ability to solve our task as set in exercise 17 “Square” by using the "male" approach. We perform hardness, decisiveness, power, persistence, walking straight forward. We try to walk straight through the  problem situation, in the language of gesture arms and hands do not fold. We overcome resistance, in the language of gesture making small steps forwards even when the body is “pushed” backwards. Some examples of hard and straight forward approaches:

  • the hard rock, the lightning in nature;
  • using direct, and harder words;
  • in relationships showing power, persistence, pushiness or being more rude;
  • approaching an issue straight to the point.
Exercises 17-21 are related thematically as a group. In 17.Square we have a problem situation, a task. With 18.Beauty and 19.Agility we work to solve it using the hard and the mild approach. In 20.Conquering we solve and overcome it.  With 21.The Joy of the Earth we perform the joy of the achieved.

 “The hands, one after the other reach forwards and upwards while the body gently rocks forwards and backwards, from one leg to the other. This movement represents the processing of the forces of the square… This processing is a work of art, a mastery. The lines of the movement are straight. Therefore, we may say that the masculine principle which processes the square is expressed here. This is the electricity.” [Beinsa Douno, Paneurhythmy, p.80]

Beauty, Ondřej SmetanaBeauty, Stefka Nikolova (follow-up activities)
 

QUESTIONS

1. Text: What are the images of beauty in the text? Write in your own beautiful words a sentence/essay/poem about hardness, decisiveness, boldness, persistence. 

2. Drawing: Draw an illustration how you/an animal/a plant overcomes an obstacle on the way (a high wall, water etc.) by going straight forward/through it. Draw an illustration to the exercise.

3. Questions: How would you describe the traditional “male” approach? What are the "male" and "female" qualities in everyone? A painting is beautiful but it took a lot of efforts and persistence for the painter to make it; give other examples where something is achieved with persistence.

4. Experience: Tell us of situations and experiences when you have solved a situation by being decisive and persistent. What is the feeling?

5. Imagination: Imagine while you play the exercise that there is a strong wind against you but you overcome its power by small steps, although it tries to push you back.

6. Affirmations: Write your own positive affirmation for Beauty. For example: I can be hard and decisive.

7. Quotes: Everything has beauty, but not everyone sees it (Confucius). Continuous, unflagging effort, persistence and determination will win. Let not the man be discouraged who has these (James Whitcomb Riley). Find your own favourite quote for Beauty.

Beauty, Nevyana Momchilova

 

zondag 20 februari 2011 23:44

17.1. Square: text and idea

Square, Marieta StoychevaSquare, Stefka Nikolova (follow-up activities)

TEXT

1. Bright is the morn, filled with the fragrance sweet of flowers just born;
2. White pearls of dew, a golden crown her glorious head adorn.
 
3. All nature sings, all nature now with music rings,
4. Praising the dawn, praising the new born happy dawn,
5. Praising the father-sun, creator of the glorious dawn.
6. All nature sings, all nature now with music rings,
7. Praising the dawn, praising the new born happy dawn,
8. Praising the father-sun, creator of the glorious dawn.
 
1. Red is the east, God’s loving lips its brilliant forehead have kissed,
2. Filling the morning air with vibrant life and sacred bliss.
 
Repeat verses from 3 to 8
 
IDEA
 

The square is a metaphor for a problem situation, some limitation, difficulty, a task in life. This happens at work, at home, in the relations; affects us intellectually, emotionally, our volition; short-term or long-term. In the language of gesture we stop our free movement forwards along the smooth circle. And we start a movement in a small and limited “angled” space, a square, which we cannot leave no matter how long we walk: the initial and final positions match. Like the characters of a fairytale, who have fallen under the power of evil forces, we have to give everything from us, to activate our internal powers, qualities, capacities and talents at work, so that we can help ourselves. Some examples of Square:

 

  • birds in a cage;
  • animals limited because of insufficient life conditions: drought, hunger;
  • a prison (literally and metaphorically);
  • the room as a closed space, when you cannot leave it, for example because of illness;
  • an assignment at work;
  • a forthcoming examination in the studies;
  • difficulties caused by another person.

Exercises 17-21 are related thematically as a group. In 17.Square we have a problem situation, a task. With 18.Beauty and19.Agility we work to solve it using the hard and the mild approach. In 20.Conquering we solve and overcome it.  With21.The Joy of the Earth we perform the joy of the achieved.

This exercise teaches us to have the right standard by which to measure everything on earth… The face turns successfully to the four directions of the earth – east, west, north and south – connecting with their energy. The east represents justice, the south – virtue, the north – truth… the west – how truth, justice and virtue benefit man. When the sun sets, then we appreciate its blessing. [Beinsa Douno, Paneurhythmy, p.80]

Square, Lenka SzotkowskaSquare, Gabriela Jonczy

 

QUESTIONS

 

1. Text: Give synonym words or expressions about "problem situation".  Write in your own beautiful words a sentence/ essay/ poem about a problem situation/ a serious task you have had. 

2. Drawing: Draw an illustration to the exercise. Draw the line we outline with our steps while performing the exercise, in relation to the circle.

3. Questions: What are the main characteristics of the square form and can it be found in nature? Do you like problem situations and why? Why is nature so happy in the poem for Square, provided that you perform a person facing difficulties? How many and what daily tasks did you set up for yourself when you woke up this morning.

4. Experience: Tell us of situations and experiences when you have had a serious task to solve/ a problem situation. What was the feeling?

5. Imagination: Try to outline correctly the square form – not bigger or different. Imagine that the oultined square is: 1. a sheet of paper on which your task is written; 2. the room you work in; 3. the garden you work in; 4. the canvass on which you will paint; 5. the desk on which you study; 6. the textbook you have to stud.

6. Affirmations: Write your own positive affirmation for Square. For example: I can cope with my tasks/problems. I outline correctly the boundaties of my tasks.

7. Quotes: Every block of stone has a statue inside it and it is the task of the sculptor to discover it (Michelangelo). Find your favourite quote for Square.

 

Weaving a nest, Silviya Nedelcheva

zondag 20 februari 2011 23:30

16.1. The Sun is Rising: text and idea

 

Early in the morning (The Rising Sun), Marieta StoychevaThe Rising Sun, Preslava Petrova

TEXT

Behold the rising sun, 
sending brilliant light, 
filling life with joy and new delight.
(Repeat from "Behold")
 
Living power, springing flowing power. (Repeat 4 times) 
Zoun me zoun, zoun me zoun, binom tou meto. (Repeat 2 times) 
 
(Repeat from the beginning) 
 

IDEA

 

We are at one with nature, gaining strength from it. In the first part our arms are the Sun, which rises, we benefit from the solar energies. In the second part, our hands are springing waters, springs, we benefit from the water energies. In the third part we perform the ongoing exchange between us and nature in our lives. The natural processes are the sunrise and the spring gushing forth from the earth: beginning of display of light, warmth, water. In people these processes are metaphor for the appearance of something new, of possibilities, talent, idea, feeling, inspired by the vital powers of nature.

"The arms make arch-like movements upwards and to the sides, and then come back to the chest. Afterwards the hands make scooping movements which imitate the gushing forth of spring waters. The first part represents the process of originating of something new. All solar energies go into the person so that s/he can grow and develop. The second part represents how life-giving forces flow through us like mighty waters". [Beinsa Douno, Paneurhythmy, p.80], 

Zoun Mezoun, zoun mezoun: “The whole of our life, all of our life”. Binom Toumeto: “Let it now be so!” [Beinsa Douno,Paneurhythmy, 2004, p.71]

 

 

The Rising Sun, Silviya NedelchevaThe Rising Sun, Ondrej Smetana

 

QUESTIONS

 

1. Текст: Finish up the sentences “If I were theSun… If I were a wellspring…”. 

2. Drawing: Draw a picture of sunrise. Draw an illustration to the exercise.

3. Questions: “The Sun is Me”(Loui XIV): what does a Sun inside us stand for? In Dutch [zunmezun] is “kiss me kiss”: what isthe kiss of nature?

4. Experience: Tell us of situation and experiences when you have receivedstrength and energy by being in touch with nature. What is the feeling?

5. Imagination: Imagine, while you play the exercisethat: 1. Your arms rise up likethe Sun;2. Your hands scoop water from two springs gushingforth by your sides.

6. Affirmation: Write your own positive affirmation about the exercise. For example: I am like a Sun giving light and joy.

7. Quote: You can always find the sun within yourself if you will only search (Maxwell Maltz). Books:The Hidden messages in Water(Masaru Emoto).Find your favourite quotes on the Rising Sun.

 

The Rising Sun, Stefka Nikolova (follow-up activities)

 
 
zondag 20 februari 2011 21:16

15.2. Aoum: music and movement

MUSIC

Measure: 3/4
Tonality: C major
Total: 28 measures

1 movement = 2, 3 or 4 beats

MOVEMENT

 

1 cycle: 7 movements. The cycle repeats 4 times.

15. Аум

 

SP:
Arms: Arms are down by the sides of the body.
Legs: Feet are together in standing position.
1:
Arms: The right arm moves upward and forward to 45˚, with hand upward and forward, palm down. Simultaneously the left arm moves down to the back to 45˚, with hand down to the back, palm upwards. Both arms are stretched in the elbows and in the wrists. Afterwards together with the whole body they lift up and down when the right foot lifts up on tiptoes and steps down.
Legs: The right foot moves to the front on toes, the weight of the body transfers to it and it steps, while the left foot remains on toes to the back. In the last phase of the movement the right foot raises vertically up on tiptoes, high enough for the left foot to lift up from the ground, and afterwards step down again.
2:
Arms: The left arm moves upward and forward to 45˚, with hand upward and forward, palm down. Simultaneously the right arm moves down to the back to 45˚, with hand down to the back, palm upwards. Both arms are stretched in the elbows and in the wrists. Afterwards together with the whole body they lift up and down when the left foot lifts up on tiptoes and steps down.
Legs: The left foot moves to the front on toes, the weight of the body transfers to it and it steps, while the right foot remains on toes to the back. In the last phase of the movement the left foot raises vertically up on tiptoes, high enough for the right foot to lift up from the ground, and afterwards step down again.
 
Movements 1 and 2 repeat, in total 7 movements. Text: 1.„Aoum”; 2.„Aoum”; 3.„Aoum”; 4.„Om”; 5.„Om”; 6.„Aoum-“; 7.”en”

Duration: Movement 1: 3 beats (the offbeat, beats 1 and 2 of measure 1). Movement 2: 3 beats (beat 3 of measure 1, beats 1 and 2 of measure 2). Movement 3 (slower): 4 beats (beat 3 of measure 2, measure 3). Movement 4: 3 beats (measure 4). Movement 5: 3 beats (measure 5). Movement 6: 3 beats (measure 6). Movement 7 (faster): 2 beats (1 and 2 of measure 7).

Movements 1-7 make up a cycle which repeats 4 times. Cycles 1,3 start with right foot/arm. Cycles 2,4 start with left foot/arm.

FP: = SP for the exercise.

zondag 20 februari 2011 21:03

15.1. Aoum: text and idea

Aoum, Lenka SzotkowskáAoum, Gabriela Jonczy

 

ТEXT

Aoum. Aoum. Aoum.
Om. Om. 
Aoumen.

(Repeat 4 times) 

 

IDEA

With this exercise we strive to the hights, receiving the harmonious in us, and casting off the disharmonious from us. Aum is a mantra in the Sanskrit language. Ancient languages have syncretism – one word nominates many notions, and does not activate the concrete imagery thinking. The meaning which every person finds is different. Some examples:
  • the practice of praying in all religions;
  • the meditation practices;
  • in art: admiring a picture as a whole without focusing on separate forms and colors.

"When we extend one arm upwards at an angle of 45˚ we receive.. (and) through the leg on which we are supported, we receive.. Through the arm and the leg which are extended down and back at an angle of 45˚ we cast off the impure, all of our accumulated unprocessed and disharmonious energies.. Through the repeated lifting of the arms forwards and upwards and the repeated lifting of the legs, we express the desire of our spirit to reach the heights. One works on earth but one’s inner vision is always directed to the world of the stars." [Beinsa Douno, Paneurhythmy, p.79]

 

Aoum, Ondřej SmetanaAoum, Stefka Nikolova (follow-up activities)

 

QUESTIONS

1. Text: “Aoum” (also spelled “aum”), “om”, “aoumen” are ancient words which in European languages develop into Amen: expression used at the end of prayers, and meaning, "So be it”. Write in your own beautiful words a wish, that ends up with these words.

2. Drawing: Draw an illustration to the exercise.

3. Questions: What do you do when you come across an unfamiliar word? Is it possible thatone and the same word has different meaning to different people and why?

4. Experience: Tell us of situations and experiences when you have managed to cast off a disharmonious state. How did you manage that?

5. Imagination: Imagine, while you play the exercise, that with your stretched arm upwards you reach something beautiful and light/ the stars; while with your hand stretched to the back you cast off behind your back everything disharmonious in you.

6. Definitions for Aum (Om) in Wikipedia: (1) The eternal process of birth, life, death and rebirth. The Aum is the Universal symbol of Creation. (2) The sacred syllable of creation, the Word that went forth in the beginning and from which all other sounds originated. (3) Unity between all people, creatures, and things.

7. Quotes. The Earth is my altar, the sky is my dome, mind is my garden, the heart is my home and I'm always at hOme - yea, I'm always at Om(Eden Ahbez). The Amen of nature is always a flower(Oliver Wendell Holmes).Find your favourite quote on Aoum.

zondag 20 februari 2011 19:28

14.1 Think: text and idea

 

Think, Preslava PetrovaThink, Marieta Stoycheva
 

TEXT

Think right, always think right. (repeat 2 times)

Sustain most sacred thoughts of life that radiate light. (repeat 4 times)

Sustain, sustain, sustain, sustain most sacred thoughts of life that radiate light. (repeat 2 times)
 
(Repeat from the beginning)
 
IDEA

We can manage our thinking process: we can accept the positive thoughts from the world and we can support our own positive thinking on life – people, tasks, experiences. Humans alone can have this conscious attitude, to choose what to think of and how – positively or negatively. In the exercise we perform thinking by staying in one place while the arms make very slow movements; next, the attitude to life is like attitude to its symbol, water on Earth, and we make a scooping gesture; last, the effort to sustain good thoughts is performed with a movement to support something. Some examples:

  • for life: I have a positive mental attitude;
  • for people: I think of the good in them;
  • for my tasks: I think that I can cope with them;
  • for difficult circumstances: I think that everything will turn to good.

“This exercise begins with the slow movement of the arms from the right to the left and then back to the right. Then, while walking forwards, scooping motions are made with the hands, followed by the arms pushing outwards as if supporting something. This movement connects us with the world of thought and we enter it. Through this movement, a rhythm is brought to our organism that comes from the sentient world, the world of just and noble thought. The first part of the exercise, with the slow movement of the arms from the right to the left and back again, is the receiving of that which is sent from the world of thought. The second part is the imparting of that which we receive into our lives and activities. [Beinsa Douno, Paneurhythmy, p.79]

 

Think, Lenka SzotkowskáThink, Nina (follow0up activities)
 

 

QUESTIONS

1. Text: How many times do the words “think” and “thoughts” repeat? Write your own “sacred thought” about life. Finish up the sentence “Life is…”.

2. Drawing: Draw an illustration to the exercise. Considering Roden’s stature The Thinker, make your own project for the thinking person statue.

3. Questions: How can you control a negative thought? Do thoughts influence our feelings and why?

4. Experience: Tell us of situation and experiences when you have managed to think positively irrespective of the circumstances. What is the feeling?

5. Imagination: Imagine, while you play the exercise: 1. that your arms are like two antennas that catch all good thoughts from the environment. 2. that your hands scoop water from the “sea of life”. 3. that you support a wall (your thoughts) stay upright.

6. Affirmation: Write your own positive affirmation for thinking. For example: I can think well. I have positive mental attitude.

7. Quotes: I think, therefore I am (René Descartes). What we think, we become (Buddha). The only reason some people get lost in thought is because it's unfamiliar territory (Paul Fix). Find your own favourite quite on Think.

 

Think, Birgül Gökaslan

 

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